THE MOUNTAINS ARE OUR MASTERS

Slowness is a luxury these days.  Like silence, and letters, and friendship.  No one has time.  We work and work because nothing is certain anymore (and if we needed reminders of that, many of us got them with October’s shutdown of the government).  Having even one day off in which to do a lot of nothing and to savor it slowly feels like serious sin.  And yet, summer isn’t intended for workdays that stretch like doom from morning into deepest night.

 
The five fledgling wrens, the ones hatched in a dented bucket I hung from the eaves of the potting shed last spring, form a little mob that perches on the back gate in the mornings.  As I’m rushing off to work thirty miles down the freeway, they’re clustered on the chain links, primping and chirping until Miss Billie is worked into a froth in her hiding place beneath the pumpkin vines.  They’re trying to warn me that time is fleeting -- that it’s spent quickly and is gone.
            Without truly being able to spare the time, my husband and I heeded the wrens and stole one day recently to drive to Asheville, to feast our eyes on those hypnotically blue, blue mountains that ring the city like a celestial crown.  We needed to sit at a sidewalk café on Battery Street watching people and dogs pass by while we drank our coffees slowly and then slowly drank our refills while we talked.  
Battery Street, Asheville, North Carolina
We longed to spend an entire afternoon in the company of books (yes, the slow kind, with paper pages smelling of ink and revelations) so we headed down the street to Malaprop’s, our favorite bookstore this side of San Francisco and the only establishment where I am able to lay down large sums of cash without the slightest twinge of self-reproach.

Malaprop's Bookstore, Asheville
After loading ourselves down with nighttime reading for the next six months, we slowly made our way up Wall Street, stopping to listen to the street musicians.  We often eat at The Laughing Seed when we’re in town, because we so seldom get the chance to sample vegetarian meals in Traveler’s Joy unless I cook them myself, but this time we opted for the locally grown beef and high-grade wine list at Marketplace, just a few doors down from Seed, where we indulged in platefuls of exquisitely slow food.
Wall Street, Asheville

            We’d been prepped for this richly human pace by a stop we made on the way up the mountainside, not far outside Hendersonville, North Carolina. Our destination there was a beautiful valley shaped like a gravy-boat.  It is rimmed with hemlock forests, clouds balanced on the spout.  As usually happens when I coax my husband into one of these off-the-beaten path explorations, he insists on using GPS and I insist that the only place the prim-voiced Miss Magellan is sure to lead us into is an argument.  I was right again.  After guiding us out of the suburban cul-de-sac where technology had mired us, I consulted the map (the slow way, naturally) and we arrived at last at the historic Johnson Farm.
 
Historic Johnson Farm, Hendersonville NC
 
            The Victorian house is discovered after a short walk through the woods.  Built over a ten-year period by a Mr. Moss, who reportedly made the bricks from clay taken from the French Broad, it was completed in 1880.  By that time Mr. Moss had been ruined, however, in the Depression of 1873 (it seems Wall Street has been pulling the rug out from under hard-working Americans ever since there was a Wall Street) and was forced to sell his dream home to a prosperous farming family, the Leveretts.  Sallie Leverett grew up in the house, but moved away to marry.  When her husband Leander Johnson died, she came home to the valley to live in the brick house with her two sons, Leander Jr. and Vernon.
The barn and granary
     Like many widows of the time, Sallie put food on the table by taking in boarders.  The Blue Ridge mountains were a popular summer destination for heat-stressed lowlanders even then, and Sallie’s business grew so successful that she made the boys build a rooming house next door to the brick farmhouse, with a broad porch for rocking and eleven small rooms whose windows opened to the mountain air.
Muscadines

The rooming house
(The building houses a weaver’s collective now, which keeps the rooms buzzing with the sociable kind of productivity Sallie Johnson would most certainly have approved of.) With three meals daily, ice cream and hay rides for the grand sum of $5 weekly, the Johnsons had many repeat visitors.  Mrs. Johnson is described by people who knew her as being just as genial as her sons, but one can’t help making comparisons to another boarding house operator from roughly the same time: Eliza Gant, the fictional version of Thomas Wolfe’s mother Julia and the crafty proprietor of ‘Dixieland,’ whose unflattering portrait features in Wolfe’s novel, Look Homeward Angel.  I have saved a postcard I bought years ago on a tour of Julia Wolfe’s rooming house on Spruce Street, shortly before an arsonist’s fire gutted it.  It is a photograph of Tom’s small bedroom on the second-floor sleeping porch.  It shows the narrow iron bed and the windows open to the treetops – a place simultaneously confining and emancipating, just as Asheville (or ‘Altamont,’ as it’s called in the novel) proved to be for a young writer driven into the wider world by an overwhelming appetite for life.
 
The rocking chairs at the rooming house are situated to catch the breezes.
 
            After the book was published in 1929, Wolfe was forced to stay away from his hometown for eight years; the good citizens of Asheville, many of whom recognized themselves in the descriptions of unsavory characters (“crude, kindly, ignorant and murderous people”(121)), did not easily forgive their native son.  Wolfe’s mother bore the brunt of her son’s sharply critical eye.  While the hero of Wolfe’s autobiographical book, Eugene Gant, alternately adores and forgives his hopelessly alcoholic father, he detests the mother he perceives as having sacrificed her family to the more fulfilling practice of running a profitable business.  “…in Gant,” he writes, “there was a silent horror of selling for money the bread of one’s table, the shelter of one’s walls, to the guest, the stranger, the unknown friend from out the world; to the sick, the weary, the lonely, the broken, the knave, the harlot, and the fool” (132).  
            There is no record of resentment on the part of Sallie Johnson’s sons, despite the fact that they apparently worked tirelessly to keep the farm running and accommodated themselves to the needs of their mother's business, to the extent that they neither  married nor moved off the farm in their lifetimes.  When the rooming house filled at the peak of summer and the farmhouse was filled to the rafters, Sallie typically moved her sons out to the chicken coop and put boarders in their beds.  Long-suffering and ever practical, the young men recorded rainfall totals on the side of the coop while camping out there, neat columns of penciled sums which a visitor can still make out against the flaking paint.  Meanwhile, Vernon set to work (when did he have a minute to spare?) building himself a snug cottage behind the farmhouse that was finished in 1933, when the men were finally able to vacate the coop.
Writing on the coop
            Thomas Wolfe left Asheville in 1916, enrolling at the University of North Carolina at Chapel Hill and believing that he had put the small minds and vast peaks of his hometown behind him.  He longed to move in the rarefied circles of the highly civilized, and yet he spent the rest of his short life purging his natal landscape from his heart in great swathes of lyrical, emotionally charged prose. (He died unexpectedly of tuberculosis of the brain at the age of 38; his sister Mabel, brother Fred, and yes – his mother – rushed out to Baltimore to be with him at the end.)
            It’s possible that Vernon and Leander, in their decidedly uncelebrated way, didn’t need to leave their beautiful gravy-boat valley in order to comprehend what it took an artist like Thomas Wolfe years of demon-wrestling and miles of traveling in distant places to express.  They bequeathed all their farmland to the Henderson County school district on their deaths, and a middle school was built in the heart of the meadow that borders the county road and the farmhouse beyond.   It’s impossible to know if either one ever read the works of their countryman, but it’s not hard to imagine, considering the gift of their own natal landscape to their region’s future generations, that they would have appreciated better than most what the narrator in Look Homeward, Angel meant when he said of Eugene Gant that “the mountains were his masters.  They rimmed in life.  They were the cup of reality, beyond growth, beyond struggle and death.  They were his absolute unity in the midst of eternal change.”

Pearson's Falls, near Saluda, NC, in the Blue Ridge Mountains

The Historic Johnson Farm is located at 3346 Haywood Road, Hendersonville, NC 28792.  Guided tours are available on certain weekdays from 8:00 a.m. to 2:30 p.m. and festivals are held at the farm twice annually -- the Spring Festival on the last Saturday in April, and the Christmas Festival held the first Saturday of December.  For more detailed information call 828-891-6585 or visit the website:

WORKS CITED
Wolfe, Thomas. Look Homeward, Angel; a Story of the Buried Life. Scribner 1929. New York.




THE SEDUCTIVE SEASON OF VINES

Following an aberrant spell of ‘cool’ weather, our normal late-summer climate of equatorial heat and rains has resumed, cueing the vines that it is time to twine.  Morning glory claims the roses, denuded of leaves by beetles and blackspot, while the ornamental sweet potato vines run rampant in the damp beds, drowning them in waves of chartreuse and purple-black leaves.  The bean vines in the vegetable garden: scarlet runner, purple pole and calico bean, are growing before my eyes after waiting out the uncharacteristically temperate nights of early August.  They make up for lost time clambering up the squash tower, covering the rear arbor, and smothering the rosemary.  Bean pods dangle like edible jewels.
            Vines cover a multitude of sins in the garden, my primary sin at this time of year being that of neglect.  With the semester having commenced two weeks ago, and with classes jammed to the bursting point by the colleges' administrators, FK and I are kept indoors or on the road by work more often than plants (or pets) would like, to the exclusion of almost all other activities.  Our seasonal sidelining is a benefit for the garden pests I would otherwise be eliminating if I had the time.  Beetles have torn the squash leaves to tatters and aphids have blackened the spent lily stalks with smut. But the vines persist in spite of insects and disease, bearing a couple of small but exotic-looking pumpkins in the vegetable garden (these from the volunteers that sprouted in the compost bin).  And of course, nothing seems to stop the beans.  They appear to know that the sand is rushing through their hourglasses at an ever-faster rate, and that the heat of late summer, which seems never-ending now, will break upon shorter days and the promise of frost.  The vine which snoozes loses.


I was treated to a vivid demonstration of that two years ago with a morning glory vine (Ipomoea tricolor) I planted on the entrance arbor to the veg garden.  This little seedling, called 'Blue Billow,' didn't grow very much the first month, nor even the second.  Finally it got a move on in late September, covering the arbor but still, despite my careful inspection of it every morning before driving off to campus, failing to produce a single discernible bud. Suddenly, in October, it cloaked itself in hundreds of buds, and yet, with the nighttime temps cooling noticeably and the maple's leaves turning color and falling on it in drifts, not one flower nudged open.  One morning after a rain I called to my husband to hurry before the damn vine changed its mind, because the flowers were finally opening in celestial trumpets of blue.  I snapped a picture that I intended to linger over in January when the arbor was bare, and am so glad I didn't wait.  Less than forty-eight hours after I took the photo, the season's first frost descended, killing the vine and blasting every blue trumpet on it.  The billow was no more.
          It's hard being a gardener, sometimes.  Harder still, I have discovered, not being one.



          Thoreau wrote that "we are happy in proportion to the things we can do without."  I've had the opportunity to test that theory in the course of recent challenges, and I concur with the sage of Walden Pond. However, I have convinced myself that his concept of 'things' couldn't possibly have extended to chocolate, cats, or morning glories. (After all, this is the sage who occasionally took a break from the cabin to go home and eat his mother's pie.)  In the waning days of summer, I am certain that Henry David would have understood about the vines.  They are non-negotiable.

    




WHAT PRICE GLORY? QUESTIONS POSED BY ROSE HILL

Under the magnolias at Rose Hill

I first visited Rose Hill seventeen years ago, in the days before the internet or Wii or even Netflix had invaded our lives and relegated that summer staple, the “day-trip,” to the quaint annals of the past.  I had a nine-year-old daughter and a visiting niece in tow that August, and all the things you can do with children at home had been done.  We needed some new surroundings.  Or so I thought. But since this was also in the days before GPS or MapQuest and there were no smartphones yet, only dumb phones, there was always a possibility that you would get lost on such an adventure, ending up in a trackless forest or on a nuclear testing range. 
            I had armed myself with a good map of South Carolina, I believed, but soon discovered that such a map is only functional if the roads on the map correspond to marked roads in the landscape, and once we were shed of the freeway and making our way on secondary roads, my husband and I marveled at how many of the latter lacked signage of any kind.  By now I understand a bit better how residents of the Palmetto state view such things, with the opinion prevailing that if a body doesn’t know where he or she is headed without the help of road signs then that body doesn’t have any business going there, but at the time I found it mystifying.  Once we'd passed out of York County and were making our way towards the town of Union we were forced to stop every few miles at gas stations and convenience stores to ask the way.   When a cashier at the Stop-n-Go on the outskirts of town told me she had never heard of Rose Hill, despite the fact that she’d spent her whole life in Union, eight miles from the plantation, I began to doubt that the place had ever existed except in legend.
            Today, Rose Hill is a fairly well-known state historic site and landmark, but seventeen years ago the ranger was so happy to see us when we finally rolled into the dusty parking lot and fell out of the car, gasping with gratitude, that I thought it was going to be hugs all around.  It turned out we were only the second group to visit him that Saturday, and this Ohio transplant was going crazy for lack of company.  He took us on a private tour that went on for so long I was worried we might have to camp out on Mrs. Gist’s capacious mahogany bed.  But the spell of that place stayed with us a long time, drawing my husband and me back for several more visits over the years.
Rose Hill, built 1828-32
            I have toured a great many historic parks, sites and gardens in the former Confederacy, embracing the homely rusticity of the Latta farmhouse close to the banks of the Catawba River in North Carolina, as well as the federal splendor of the Governor’s Palace in Williamsburg, Virginia.  I’ve gawked at architecturally stunning monuments built by rice fortunes, like the Nathaniel Russell townhouse in Charleston, and explored the sprawling compounds of cotton and tobacco plantations that must have functioned in their heydays more like communities (rigidly hierarchical ones, given the large numbers of slaves) than family homesteads.  Brattonsville in South Carolina is one of these.
            I have taken away sobering lessons and fresh understanding about history and humanity from all these places, but no site I have visited south of the Mason-Dixon line has impressed me (disturbed me?) in quite the same way as Rose Hill.  Perhaps it’s because of the way the former governor’s home is situated, surrounded today by dense forest on what would have been thousands of acres of cleared cropland in William Gist’s time.  In this way it gives the impression, once you arrive at your destination, of having stumbled on Sleeping Beauty’s castle, slumbering behind its defenses of magical briars for a hundred years.
            The home is sited on a slight promontory, with giant Magnolia grandifloras framing the view from the front porch.  Standing there, your eye travels across the boxwood hedges and follows the arrow-straight line of the carriage drive, which forms a perfect axis with the house.  The home’s design evokes the antebellum period with acute specificity; the second-floor ballroom, for instance, occupies an entire quadrant of the house.  With its gold-framed cheval mirrors, candle sconces and piano, it is virtually impossible when standing in that room not to imagine female guests in enormous hoop skirts gliding across the floor, or retiring two-by-two to the ladies’ parlor adjoining the ballroom, where the windows would have been opened to the verandah for the sake of the breezes.  It is a house intended to impress as well as accommodate, to contain the builder’s aspirations for power and prestige as much as to house his family.  And yet there is a pervasive feeling of loss here, of dreams sacrificed.  The air is weighed down with doom.
The two magnolias growing on the front lawn are
original to the house.
            Gist was born in 1807, the illegitimate son of a Charleston merchant named Frances Fincher Gist.  The elder Gist moved his son and the child’s mother upcountry where he and his brother Nathaniel owned large tracts of land.  When Frances died a few years later, Nathaniel raised Henry in the Union district, suing to have the boy legitimized by acquiring the name “Gist” legally and sending him down to Columbia when he came of age in order to study law at South Carolina College.  It was at college that Henry began to develop a reputation for hot-headedness, leading fellow students in a boycott of the college’s dining services.  He was promptly expelled.  Also while a young man, he and his brother-in-law got into a dispute with a Union storekeeper over an insult alleged to have been leveled by the b-i-l against a lady known to them all.  In the fracas that followed, the shopkeeper was killed.  Neither of the young men was punished for the deed.   A few years later Henry was rumored to have fought a second duel, also stemming from damage done to a woman’s reputation, but the incident was hushed up.
William Gist’s choleric disposition and his flair for dramatic gestures were characteristics he may have come by honestly in the family bloodline, considering that his Uncle Nathaniel named his own child, a son born in 1831 as the Nullification Crisis was fanning flames of secession in South Carolina, “States Rights Gist.” This was the name Henry’s cousin bore proudly as a brigadier general for the Confederacy when Civil War finally broke out in 1861, and it is the name misspelled on his tombstone at a churchyard in Columbia where he was buried after a Union sniper felled him at the Battle of Franklin, Tennessee, in 1864.
            A painting of States Rights hangs in the house at Rose Hill, close by a small, somewhat primitive portrait of a girl with downcast eyes, who wears an uncomfortable-looking bonnet.  Our guide points out – unnecessarily – that the lady’s expression is untypically sad for a bride-to-be, as if, the ranger adds, “she already knows what’s going to happen to her.”  This is a portrait of Gist’s first wife, Louisa Bowen, who married the young planter in 1828 when she was sixteen. She couldn’t have foreseen her fate when the picture was painted, but one wonders if she was happy about marrying William Henry.  Eleven months after the wedding she bore a child who was either stillborn or lived very briefly.  In 1830 she gave birth to her second and final child, Maria, who survived.  Louisa, however, lived only eleven days longer.  When she died she was eighteen.
            Two years later, as Gist finished building Rose Hill, he married a Union neighbor named Mary Elizabeth Rice.  She proved physically stronger than the first Mrs. Gist, bearing a total of twelve children for William.  Only four of them lived to adulthood, however, with five dying as infants, and a son, William Junior, killed at age 22 while leading a regiment in battle against Union forces near Knoxville, Tennessee in the fall of 1863.
            How Mary survived motherhood with her sanity intact is a mystery.  On our most recent visit to Rose Hill, the ranger opened a box on Mary’s dressing table and allowed me to look at the pale lock of hair enshrined there: a remembrance of Ellen, who died of fever in 1854 at the age of six.  In that hideous autumn three of her children died, with brothers Clarence, 12, and Charles, 7, dying in the same day.  These deaths occurred while Mary was alone at Rose Hill, with William Henry serving as a senator at the state legislature in Columbia. 
Rear facade
            He took a break from his political life in 1855, returning to the farm to tend to his reduced family and presumably to give solace to his grief-stricken wife.  More than likely, it was also necessary for him to resume a more active role in the administration of his plantation.  At its peak, Rose Hill depended on 179 slaves to tend the cotton and tobacco, care for livestock, clear timber, and see to the needs of the family.  William Henry may have preferred politics to planting; nevertheless, he was an ardent champion of slavery and worked assiduously to protect and promote the institution, first as a legislator and then as governor of South Carolina, returning to the capitol in 1858 to accept that office. 
            Gist was raised in that rarefied class of white South Carolinians born in the first half of the 19th century who trained all their lives for a titanic fight with the federal government, men raised by fathers and uncles who believed so passionately in the principles held by their hero, John C. Calhoun -- that a state had the sovereign right to create its own laws and to resist any tariffs, levies, laws or prohibitions forced upon that state by the powers-that-be in Washington -- that these ‘fire-eaters’ had pushed President Andrew Jackson to send an army down to Charleston as far back as 1828.  He would have done, if Henry Clay had not hammered out a compromise bill at the eleventh hour.  The compromise bought the Union some time, but the clash of wills and competing values (along with a generation of male children named ‘States Rights’) guaranteed a violent reckoning, eventually.
            Gist did his best to expedite that confrontation.  In early October of 1860, prior to the presidential election, Governor Gist was attempting to organize lawmakers in other slave states to pledge secession in the event that Abraham Lincoln was voted into office, entrusting his cousin States Rights to serve as courier and carry his top-secret letters to the governors in every cotton-growing state but Texas.  In these letters he informed his counterparts that South Carolina would withdraw from the union and would move against the north with a militia at the earliest opportunity, and he urged them to join him and his countrymen.  (One month later, Gist would address the South Carolina legislature in a special session he called to prepare for the state’s approaching secession, telling the assembled members: “If, in the exercise of arbitrary power, and forgetful of the lessons of history, the Government of the United States should attempt coercion, it will become our solemn duty to meet force by force…”  During that address he called for the House and Senate to beef up the state’s militia and get it ready to deploy on short notice.  “Every man in the state, between the ages of 18 and 45, should be well-armed with the most effective weapons of modern warfare, and all the available means of the state used for that purpose” (“The Called Session”)            
Rear view of property, with kitchen in
left foreground.  The land slopes down
to the Tyger River.
Three of Gist’s cooler-headed correspondents advised caution in their responses: the governors of North Carolina and Louisiana wrote that the voters in their states were divided over the issue and that Lincoln’s election alone could not be seen as grounds for such a drastic response, while Georgia’s governor answered that only some overt act of aggression by the north would provoke his legislators to take the step of withdrawing from the Union. On the other hand, the governor of Alabama told Gist he would support him if a third state also joined forces, and the governors of Mississippi and Florida told him they were ready to roll as soon as he gave the word. 
            Gist was not deterred by the reluctance of cooler heads in other statehouses, because he knew that slave-owners throughout the south felt as he did.  With slaves accounting for close to half the population in the Deep South by the 1850s, anxiety on the part of white planters was growing rapidly, drowning out the cautious arguments of Unionists in those states.  At the root of this anxiety was John Brown, a New York farmer who along with five of his sons became a militant force for abolitionism in the north and the face of domestic terrorism in the south.  Brown made national headlines in 1855 fighting pro-slavery factions in Kansas; he and his band murdered five pro-slavery Kansans in retribution for the deaths of five anti-slavery activists in Lawrence.  (It should be remembered that during the ‘Bleeding Kansas’ period Southern states sent cash, emigrants, and enthusiastic young partisans to Kansas to fight for the pro-slavery cause.  One of the incidents that riled John Brown so particularly was the sacking of two anti-slavery presses in Lawrence, the Herald of Freedom and the Free State, by a gang of pro-slave volunteers carrying the South Carolina flag.  According to a newspaper account of the day, after destroying the offices of the newspapers and burning the building to the ground, “the excited mob thereupon planted three cannon near the hotel, fired some thirty shots in a vain effort to batter it to pieces, and tried to blow it up with a keg of gunpowder. Finally, after ransacking the rooms and seizing the stock of liquor, they burned it down. When the best hostelry in the Territory was a heap of ruins, they fired Governor Robinson’s house and barn, destroying his furniture and library. Before setting out for home they also pillaged a number of shops and houses” (Nevins).)
            With his zeal fueled by the conflicts in Kansas, Brown sought to arm slaves in all the southern states and to lead them in a mass uprising against the planters.  To that end, he planned and carried out a raid against a federal arsenal in Harper’s Ferry, Virginia, on October 16, 1859.  Five black men and sixteen whites, including his own sons, carried out the attack, but local militias fought back and were soon aided by the arrival of ninety U.S. Marines commanded by Colonel Robert E. Lee.  Brown refused to surrender, and by October 18th all but two of his raiders had been captured or killed. 
            Although his raid was unsuccessful and Brown hanged in December (a public execution witnessed, fatefully, by John Wilkes Booth), this violent political action had a powerful effect on Americans in the north as well as the south.  Brown was admired by respected figures in the north who began to popularize the abolitionist cause, while he stirred up enormous alarm among southerners, who feared that their own slaves would soon be armed by abolitionists and would liberate themselves through bloody uprisings.  For many southerners sympathetic to Gist’s position, the conflict between north and south had escalated frighteningly from disagreement over which states would join the Union free of slavery, and to what extent abolitionists were breaking the law by helping runaway slaves, to become a matter of life or death.  Their own.
            Hindsight is always 20/20, of course, and it’s tempting when one studies history to judge harshly those figures that caused or contributed to great calamities -- people who were instrumental in decisions that exacted an enormous price in human lives (usually exempting their own) and human suffering. Gist wasn’t the only impassioned southerner calling for war, and plenty of abolitionist voices were singing the same chorus in the north.  But with the 150th anniversary of the battle of Gettysburg observed in June 2013, a great many historic perspectives on the Civil War are being aired again, along with some new views of this great American conflict that question the cost /benefit ratio of those hostilities. 

            A thought-provoking commentary written by Tony Horwitz, author of Confederates in the Attic, caught my eye in The Week, July 19, 2013.  In “Glorifying the Civil War,” Horwitz points out that modern demographic studies of census and casualty records from the time have pushed the death total much higher than previously thought, especially when civilian deaths – estimated at around 50,000 – are added to the mix.  Instead of 600,000 dead, it’s now believed that as many as 800,000 may have died as a direct result of fighting, and Horwitz makes the horrifying observation that such a death toll today would be equivalent to losing seven and a half million people out of our ranks – an unimaginable prospect.
            He goes on to summarize the traditional arguments made by historians in the past who argued that such a toll was the devastating but essential price paid to end slavery and preserve the democracy, and to compare those views with the provocative perspectives of contemporary historians like David Goldfield, who tells Horwitz that the Civil War was “America’s greatest failure.” 
            Goldfield parts ways with the mostly southern-based ‘revisionist’ historians who have traditionally argued that slavery was not the main cause of conflict between north and south -- that it was a disagreement over states rights v. federal authority.  He maintains that slavery was most definitely the cause of it all.  (The recorded rhetoric of secessionists like William Gist supports this position.)  But Goldfield points to the incomplete dividends paid on the investment of so much blood and treasure – the ‘unfinished work’ that Lincoln referred to in his Gettysburg Address. The Civil War ended slavery, but in the war’s aftermath black Americans were largely denied their full civil rights for the next one hundred years.  Goldfield blames that on the deep-seated conviction of racial supremacy held by 19th century whites in the north as well as the south, a belief that undermined Reconstruction and which, when combined with war-exhaustion and diminished funds, helped to bring about the lapse of federal enforcement of post-war equality in southern states.  It was inevitable that the Union’s withdrawal led to the speedy resumption of business-as-usual in the south’s social order, with the rise of Jim Crow laws, the Klan, and the eventual large-scale migration of southern blacks seeking to escape lynchings and economic subjugation by fleeing to cities in the north and west. 
            As Horwitz characterizes it, the war didn’t reunite the country, either.  The South settled into being isolated and economically stagnant, “a resentful region that lagged and resisted the nation’s progress.” Considering the sacrifice on both sides, David Goldfield states, “Emancipation and reunion, the two great results of this war, were badly compromised …  Was the war worth it?  No.” (Horwitz).
View of the partially restored rose gardens from the 2nd story
verandah.  Many of the boxwoods are original to the home.
            I think about this remembering the shadow that seems to be permanently parked over the former governor’s home, despite the sunlit, restored rose gardens and perfectly manicured camellias.  On my last visit I presumed this haunted feeling to be some form of sympathetic grief on my part for the many children lost in that home, especially when the guide took us into the back parlor where the family would have gathered in the evenings to sew, read, play and talk but also where dead family members would be laid out on the ‘cooling board’ in preparation for burial.  Now I wonder if that oppressive intimation of loss at Rose Hill is not merely due to the Gist children who died there (God knows how many slave children died on the plantation -- their passing was not noted) but is a residual effect of the thousands of lives cut short in a needless war, a war whipped into existence through political ambition, stubbornness, and vainglorious pride.  Horwitz also said of historian David Goldfield that he blames the Civil War on “politicians, extremists, and the influence of evangelical Christianity for polarizing the nation to the point where compromise or reasoned debate became impossible.”  What’s so chilling is that he could be describing the American political scene in 2015.  Perhaps that’s the lasting lesson of a visit to Rose Hill.
A view across the lawn to the carriage drive
            Leaving the house after our last tour and walking around back to look at the rose garden one more time, we encountered a family who had arrived too late for the 1:00 tour, and had strolled the grounds waiting for our group to finish and the next one to start. The wife pointed up to the porch, to the windows of the back parlor where we had just ended our tour.  As the ranger had talked, that’s where I’d been imagining Mary Gist sitting in the rocker on a hot September night.  She sat with her sewing box and the half-finished quilt on her lap, trying to stay busy as she kept vigil over the body of her six-year old daughter, Ellen Douglas Gist. 
            The visitor said that she had been trying to get our attention through the window, but none of us had noticed her waving.  “The whole time you were in there, a black snake was stretched out on that windowsill.  It must be four feet long.  It’s lying there still – go on up and take a look.”
            I didn’t need to see the snake.  I’d been feeling it everywhere I looked.

####
Rose Hill is located a few miles south of the town of Union, SC.  For directions, hours, and special events refer to the website: http://www.southcarolinaparks.com/rosehill/introduction.aspx

WORKS CITED:
“The Called Session of November 1860.” Journal of the Senate of the State of South Carolina, being the Sessions of 1860.  Columbia, S.C.: R. W. Gibbes, 1860. Web. 7 Aug 2013.

Horwitz, Tony. “Glorifying the Civil War.” The Week. (Originally published in The Atlantic, 2013.) 19 July 2013: 40-41.  Print.

Nevins, Allan. Ordeal of the Union: Fruits of Manifest Destiny 1847-1852.
New York: Charles Scribner and Sons, 1947. Print.

"William Henry Gist." Dictionary of American Biography. New York: Charles Scribner and Sons, 1936. U.S. History In Context. Web. 6 Aug. 2013.



DAYLILIES MARK THE END OF ACTIVE DUTY IN THE GARDEN

H. 'Prissy Frills,' a spider daylily

            The last daylily is blooming now.  Hemerocallis ‘Autumn Minaret’ is a cross between two species daylilies, H. altissima, the late-blooming yellow daylily that can grow as tall as six feet, and H. fulva, the common orange ‘ditch lily’ that has provided breeding stock to so many of our fancier hybrids.  ‘Minaret’ is a favorite of mine because it extends the daylily season, coming as it does near the end of July, and the five-foot-tall stalks do look like elegant candles burning at the back of the border above the richly-toned leaves of the ‘Coppertina’ ninebark and clumps of black-eyed Susans.
H. 'Autumn Minaret'
            I firmly believe that you can never have too many daylilies, or too many ‘lilies’ for that matter, which is why daylilies in my garden rub shoulders with true lilies (lillium), along with crinum lilies, ginger lilies, rain lilies, and more.  Daylilies are well-suited to heat as well as to changing conditions.  Their tuberous root systems are highly forgiving and they allow themselves to be dug up and moved or divided repeatedly without holding any grudges.  Generally speaking, they prefer well-drained soil, and will be happy with soil on the lean side so long as it isn’t compacted and the lilies aren’t competing with tree roots.  Full sun is a must, and in late spring when the foliage is putting out plenty of new growth, be vigilant for thrips, which can undermine the plant’s health.  Use insecticidal soap on the leaves, after crushing as many of the tiny pests as you can with your hands. 
      
H. 'Superstition'
    Sources abound in the Carolinas for interesting and unusual varieties, including a great many daylily ‘farms.’  My favorite of these used to be Listening Lizard in Stanly County, North Carolina, but it was a casualty of the recession.  Few people know that one of the best sources for healthy hemerocallis, dug out of the ground right before your eyes in full flower, are private gardens owned by members of the American Hemerocallis Society.  These gardeners open their collections to the public during the AHS’ annual Display Gardens program held in late July.  In Region 15, which includes North and South Carolina, dozens of display gardens open to visitors during bloom-time, and many of the gardeners are willing to dig out clumps of flowering lilies for a modest donation to the cause. 
H. 'Swallowtail's Gate'
            Because daylilies increase so readily, you will be forever taking part in the karmic exchange of favored plants with your gardening friends, thus keeping the good vibes going.  I have shared many clumps of H. ‘Kalahari,’ a vigorous, big-flowered, apricot workhorse, as well as the better-known ‘Pandora’s Box’ which complements so many landscapes with its smallish, creamy flower sporting a lavender eye.  I was lucky to come by ‘Hyperion’ in a plant swap, an old standby valued for its lemony fragrance as well as its hardiness and profusion of yellow blooms.  ‘White Temptation,’ ‘African Diplomat,’ and ‘Pat of Butter’ were pass-alongs from my neighbor and gardening buddy, Steve, along with a demure mauve variation of ‘Pat of Butter’ that hasn’t got a name but which is one of my personal favorites.  (‘Pat of Blackberry Gelato’ would describe it adequately, but is too long to fit on a label.)  
            I have a weakness for spider daylilies, those long-stalked varieties whose petals twist like pinwheels.  ‘Lois Burns’ is a yellow spider with mango-colored streaks on her edges.  She is complemented in her spot atop the retaining wall by an enormous Rosmariunus prostratus spilling over the stones below her.  ‘Prissy Frills’ puts ‘Lois’ in the shade, however, when this spider blooms a week or so later.  ‘Prissy’ is more generously endowed where buds are concerned, and her gangly flowers are decked out in carnival colors.
            If you’re going to have over-sized daylilies, you need to have dwarf specimens as well, in order to balance the collection.  My nod in that direction is to the aptly named H. ‘Little Peanut,’ a reddish-orange charmer which has proven sturdier than some of the other dwarf varieties I’ve tried, and has increased happily in the lower garden where she edges a bed of Salvia guarnitica ‘Black and Blue.’

H. 'Duchess of Parma' with Tradescantia virginiana 'Martha Washington's Bonnet'
            I’m not an artist at heart, so the most visually pleasing plant combinations in my garden nearly always occur by lucky accident.  That has been the case with H. ‘Duchess of Parma,’ a voluptuous, peach-colored diva which blooms against a backdrop of Tradescantia virginiana ‘Martha Washington’s Bonnet.’ In full flower this unusually tall and floriferous spiderwort is covered in blossoms that are a breath-catching shade of Della Robbia blue.  
H. '100th Anniversary' with Loropetalum
chinense
 'Peppermint
          Serendipity played a part, too, in my siting of H. ‘100th Anniversary,’ given to me by a friend from my old neighborhood.  This daylily had to survive in a pot for so long I’d almost forgotten what it looked like in bloom.  Once it found a satisfactory home in the southwest bed it redeemed itself and then some, bursting into flower last month with gorgeous flowers in a color I’ve heard described as ‘ashes of roses.’  Completely unplanned was the complementary shade of the loropetalum that functions as ‘Anniversary’s background – an uncommon bi-color variety with rose-tinted foliage called ‘Peppermint.’
          One of the few combinations I actually planned that has proven successful is a grouping at the edge of the shade garden consisting of H. 'Chicago Picotee,' Eucomis 'Sparkling Burgundy,' and Acer palmatum 'Sumi-nagashi.'  The daylily's crimped edges and glowing complexion is shown to great advantage against the glossy, long-bladed leaves of the purple pineapple lily. The dark tones of the lily's foliage are repeated in the lacy, textured leaves of the Japanese maple, which emerge purple-black in the spring, turning crimson by autumn.

H. 'Chicago Picotee,' Eucomis 'Sparkling Burgundy,' and Acer
palmatum
'Sumi-nagashi'
              When the last daylily blooms on the cusp of August, it signals a recess in the gardening season for me.  The show will continue out there without my help: the spectacular crinum ‘Ellen Bosanquet’ revealing the first of her intensely fragrant, hot-pink trumpets, Hydrangea paniculata ‘Limelight’ erupting with spear-shaped blooms that glow at the back of the shade bed, while the rose-of-sharon, Hibiscus syriacus ‘Lavender Chiffon’ blooms nearby.  By this time next month the big stands of ginger lily (Hedychium coronarium) will be weighed down by heavy, scented flowers, and the Japanese anemones growing happily in the moist bed below the birdbath in the lower garden, A. hupehensis japonica ‘Queen Charlotte’ and ‘September Charm,’ will commence nodding their charming pink flowers on slender stalks.  (In that spot where the breezes find them easily, it’s clear why their common name is ‘windflower.’)  Even the young deciduous magnolia I planted last year, M. liliiflora ‘Ann,’ which skipped bloom-time this spring, displays a few superbly purple buds waiting in the wings for fall.
H. 'Hyperion,' one of the few scented daylilies
            But at this point in the summer, gardening becomes a test of endurance, even survival.  Before heading out to work on these days when the heat index tops 100, I must slather on the sunblock, spray insect repellent over that and for good measure slip on my mosquito-deterring wristband.  Then I take up the wide-brimmed straw hat – the brim a necessity after a spider dropped from a tree several years ago and bit the back of my neck, sending me into anaphylactic shock and requiring an expensive ambulance ride to the Emergency Room.  The hat is followed by latex gloves that are also non-negotiable in mid-July, given how many spiny caterpillars are working the vegetation in full camouflage.  A sting from one of these, probably the saddleback moth caterpillar which feeds on roses and blueberries, puffed my hand up to twice its size not long ago.  I considered myself lucky not to be knocked unconscious.  
            Ever since the ER visit, I have followed the doctor’s advice and kept liquid Benadryl on hand to stave off allergic reactions to insect and caterpillar bites.  (Epinephrine-pens are a good idea as well, but they are costly.)  When fire ants swarmed up my legs last week and stung my ankles despite that fact that I garden in thick socks and long pants, I downed four teaspoons of Benadryl immediately, and stayed vertical.  As anyone who’s been bit by these horrible pests knows, the itching from the stings is formidable, but it can be controlled by frequent applications of Benadryl gel.  That’s a much better alternative to rescue by firemen.
            As I move through the process of suiting up, I must do so to a chorus of whimpers and barks from my dog, Tiny Alice, who is beside herself with impatience to get out in the yard.  She is on Cloud 9 when we get there, but with a dew point above 70 I am soon sweating like a block of cheese in a microwave.  By the time I’ve reached my limit of heat tolerance and have gathered tools, dog, and gear to come inside, it’s time for my second shower of the day, a full-body check for ticks, hydration via a gallon of cold liquid, and a heat-recovery nap on the couch. 
H. 'Elizabeth Ferguson'
            This is why I’m resigned to mostly hanging up my gardening gloves for the coming six weeks or so, leaving the garden to the fire ants, the unsociable saddlebacks, Japanese beetles and bindweed.  In autumn I’ll catch my second wind, as will the plants, and we’ll come together once again in a relationship based on pleasure, rather than pain.


Access information about growers, events, regional chapters and all things having to do with daylilies on this colorful website of the American Hemerocallis Society:    
http://www.daylilies.org/


SALAD DAYS

            The only bad thing about the good food coming out of the garden right now is that it all comes ripe at once.
'Rutgers' tomato

'Hungarian Yellow' sweet peppers
            Tomatoes – the Black Cherries and Yellow Pears that drop like candy from the plants.  Meaty red 'Rutgers.'  'Cherokee Purple,' with fruits the size, shape and color of bruised fists.
            Hungarian peppers as bright as bananas.  Three kinds of basil, buzzing with bees.  ‘Aristocrat’ Zucchini. The first zucchini came on so fast I didn’t realize the flowers had set until I poked around my ‘zucchini tower’ one day between rainstorms and discovered a squash as big as a loaf of sourdough.  
'Aristocrat' zucchini
I picked it for my daughter as she was heading home after a visit and she sent a photo of it ahead to her fiancé, the chef in the family, texting him, “How about dinner for 45???”
            I’d hoped to outwit the squash vine borer this year by planting ‘Aristocrat’ in a new corner of the vegetable plot and by growing the plants vertically up through a wrought iron tuteur, making it easier to spot pests on the leaves and remove them. The tower has made for an eye-catching focal point and I felt like I did catch a lot of bugs that way, but ultimately the plants attracted every insect species known to plague squash, including the spotted orange cucumber beetle and the beetle-like squash bug along with my old nemesis, the borer, which ravages the stems from the inside out and causes the whole plant to wither. 
Zucchini Tower with pole beans
I’m thinking the tower is to insect pests like a 3-story tall billboard is to tourists in Times Square.  ‘I want to wake up in that city that never sleeps!  I’m king of the hill!  Top of the list!  Head of the heap!’
Compost bin volunteers
I’m still harvesting zukes off the healthy stems, and the bean vines that I’ve inter-planted with the zucchini on the tower and on the back arbor ('Painted Lady' scarlet runner, purple pole bean, Calico Broad Bean) seem to grow before one’s eyes like Jack’s magic beanstalk.  My favorite bean, the meaty southern calico I started three years ago from beans bought at Renfrow’s, the old hardware store and seed emporium in Matthews, North Carolina, bears prodigiously in August’s heat and makes for tasty cassoulets come winter.
    
"I'm all tied up 'til October!"
   I’m also harboring hope for the snarled profusion of squash vines that germinated in the compost bin beside the garden.  On one vine there is a tiny pumpkin growing (courtesy of the jack-o-lanterns I tossed in the bin back in November?) and on a neighboring vine there’s a striped gourd (Thanksgiving decorations discarded in January).  Every morning dawns with dozens of bright orange squash flowers bedecking the scarecrow ensnared by these vines, but it remains to be seen if he can coax any more edibles out of the volunteers.    

Baby gourd
     The ‘Dorman' red raspberry was harvested in June.  I gave paper cups to the guests at my daughter’s bridal shower and we braved the heat long enough to fill them.  In their colorful sundresses the girls looked like exotic birds descending on the berries.  The mockingbird who owns this place was not amused. 
'Dorman' raspberry
            My pair of highbush blueberries have borne well enough but the fruit has taken longer to ripen this summer, probably because of all the rain, and because the mockingbird selects the best berries for his breakfast earlier than I can rise.  I pick off the few ripe ones he’s left me every morning (like raspberries, blueberries are ripe when they come off in your hand without any resistance) and toss these natural anti-oxidants into whatever I’m cooking or eating that day – atop granola, tossed with sliced peaches and yogurt or a slice of melon at lunch – maybe in a green salad with arugula. 
'Noble' muscadine
Now I’m watching the shiny clusters of muscadine grapes growing on the main arbor and plotting how I’m going to beat out Mr. Mocker when they ripen.  I'd hoped Miss Billie would help me by guarding the arbor against his depredations, but so far she's seemed unwilling to take on such a formidable adversary, and naps safely in the strawberry patch while he's about. 

Miss Billie on duty.  Rudbeckia 'Cherry Brandy' in foreground,
with  pole beans
            The best part about having a summer garden is being able to take a break from meat when the vegetables and fruits are coming ready in a rush.  Last weekend I finally made time from work long enough to cook my Garden Pie, and we’re still eating on it days later.  This recipe is one I’ve cobbled together over the years from three or four quiche and tart recipes saved in my messy file of clippings.  It embraces improvisation, so you can substitute or add any fresh vegetable you enjoy, so long as there’s room for it in the dish.
            Leftovers for 45, anyone?

GARDEN PIE


Pate Brisee Crust:  in a food processor, blend 1 stick of very cold butter cut in cubes with 1 ½ cups bleached flour (White Lily is the best, if you’re in the south) and ½ teaspoon salt.  Process until mixture looks like coarse meal.  Add 3 Tablespoons of ice water one tablespoon at a time, blending after each addition.  When dough forms into a ball place it on a floured board or pastry rolling surface and roll it out to cover a 9” Pyrex pie dish.  Place crust in dish and chill in refrigerator while you make the filling.

Filling:
1 small (or ½ large) Vidalia onion, chopped
1 small sweet pepper, any variety you like, chopped
1 large zucchini (or 2 small), sliced, and the slices quartered
1/3 cup fresh basil leaves, chopped fine
1/4 cup parsley, chopped fine
2-4 (depending on size) flavorful, ripe tomatoes, sliced
1 cup shredded Italian cheese blend
4 eggs
½ cup cream mixed with ¼ cup milk
½ teaspoon salt
Additional salt and pepper
Dash of paprika, thyme, cayenne

Heat oven to 350 degrees.  Slice tomatoes and place atop a sheet of paper towel on a plate.  Sprinkle lightly with salt and let stand to drain while preparing the other ingredients.

Melt 2 Tablespoons of butter in a medium-hot skillet or pan and sauté onions, peppers and zucchini, about 5-8 minutes, until cooked through.  Sprinkle with a dash of paprika, freshly ground pepper, crumbled thyme, and a pinch of cayenne, if desired.  Remove from heat and let cool slightly.  Once cool, mix with shredded cheese and pour mixture out into prepared pie crust.

In a separate bowl, whisk together eggs, cream, milk, basil, parsley, salt and pepper.  Pour egg mixture evenly over vegetables in pie crust, shaking pie plate to distribute evenly.

If the drained tomato slices are large, slice in half – then place evenly on the surface of the filling, pressing into place in a mosaic pattern until the surface is covered.  Sprinkle surface with freshly ground pepper.

Bake atop piece of aluminum foil in center of oven for approximately 1 hour, or until a metal skewer inserted in center of pie is pulled out clean.  Cool on wire rack for at least one hour.